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Is there an Object-Oriented Architecture?

Is there an Object-Oriented Architecture? brings Graham Harman’s philosophy into confrontation with architecture. As one of the leading thinkers in the Speculative Realism movement, Harman has developed a unique realist position in philosophy that sees the universe as a carnival of equal objects with no hierarchy between humans and nonhumans. In his model, Unicorns, triangles, bicycles, neutrons, and humans are all things with enduring essences that outlast their partial transformations. It is a democratic vision of the universe that knocks humans off their ontological pedestal as arbiters of what is real. This book places Harman into dialogue with six of the worlds leading architectural thinkers Peter Carl, Jonathan Hale, Lorens Holm, Patrick Lynch, Peg Rawes and Adam Sharr each of whom question Harman’s ideas and question architecture through and with Harman in order to develop the implications of of his Object-Oriented philosophy for architecture.

Author

Joseph Bedford

Publisher

Architecture Exchange Press

Date of publication

2021

Size

6 x 0.4 x 9 inches

Number of pages

1

ISBN

978-0998375014

book

Is There an Agonistic Architecture?

Author

Joseph Bedford

Publisher

Architecture Exchange Press

Date of publication

2022

Size

6 x 0.4 x 9 inches

Number of pages

1

ISBN

978-0998375014

This book brings Chantal Mouffe’s agonistic model of politics into direct dialogue with architecture and inquiries into the role that architecture plays constructing the political order of society, either by concealing or revealing its antagonisms and ideological conflicts. In doing so, it asks in what ways architecture operates politically; whether institutionally, in terms of its spaces and its part in forming cities, or as an aesthetic object with mediatic agency. Through this detailed exchange between Mouffe and four of the world’s leading architectural thinkers; Reinhold Martin, Ines Weisman, Pier Vittorio Aureli and Sarah Whiting, a debate unfolds within the book that tests the implications of Mouffe’s agonistic model of politics for architectural practice today; how architectural history, architectural drawing, the making of spectacular monuments, the design and policies behind housing, the making of public and private space, all potentially contribute to the formulation of the channeling of social conflict into an agonistic form.

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